Archives for category: Paintings I Sold (Year: 2009-10)

Two Friends At A Tea Shop, Noida Fields, Near River Yamuna. 2009

As India is getting all excited and ready for the F1 (Indian Formula One) race event… I wonder, like me many more would remember the space, place we once cherished and occupied… the vast wide open fields around Noida, Yamuna. It wasn’t long ago that I would spend time around these very places, where today ear-splitting sound of Formula One cars would be jet-setting.. and ironically this was my space!! A space I had found and cherished, for its quietude. To run away from the madness of city life, to be with wide open green fields of rice in autumn, wheat fields in winter. Not to mention the yellow mustard fields and innumerable vegetables I would get from large hearted villagers, mostly refusing money…

The land around the rivers Yamuna and Hindon have been my happy hunting ground to paint and take pictures, to sit under a tree, to drink tea at my friend’s small tea shop. I had just returned from Europe. One late September afternoon while out on a drive to spot Nilgai, a waft of strong aromatic rice being cooked floated in, but there wasn’t a soul around! I stopped and looked around the ripened Basmati growing fields and then my friend told me the aroma is coming from the rice fields!! Later we saw those large beautiful animals crossing over the vast rice fields, their short, sharp pointed horns and a beautiful gait. The concerned agency had taken away the land and cut them in huge chunks and laid roads in a grid pattern.. a layout our forefathers from the banks of Sindhu Civilisation did some 5000 thousand years back… Though the land had been taken away and some kind of roads were being laid, it was still cultivated by the enterprising villagers.. to extract the last benefits before being buried completely by an asphalt jungle…

My flat too is constructed on these plains..and pointing towards that he said, ” You know an entire village can feed and sustain from just the area of land these flats occupy?”

There are so many memories and paintings I have painted in these fields… but every now and then when I would go back to a favourite spot only to be greeted by huge construction machines and workers turning the spot into a huge dug up mess. The Kash flowers grow in abundance here (in the wild) during the autumn months, just as the rains go away and the festive season starts. In winter villagers grew vast fields of marigold and roses.

Now the land is gone, with little compensation in banks, these villagers don’t know what to do… some have bought land elsewhere and some have squandered it off..

India is in a frenzy, trying to make a statement to the world…”We need development. We need Formula one.” I don’t know. But the very place where these developments are happening – these vast area around Yamuna, the numerous villages and the Yamuna itself. I didn’t see any development. The villages are a hotchpotch of houses, roads, lanes, narrow and not metalled, no drainage system, nor is there a sewer system in place and when it rains, there is knee deep slush in the roads and lanes. The roads are so narrow that two tractors won’t pass by. Once while painting in the wheat fields nearby I was invited by one of the villagers to his house to have warm गर्म Buffalo milk, meaning freahly milked not boiled!! So I hopped onto his tractor, leaving my canvas and paints in the fields. His mother and others working there would be looking after. “Anyway there aren’t any thieves here.. only sometimes the migrants from other states can be trouble..” they informed me.

So off we went to his house… the roads were narrow and full of pot holes with open drains. The buffalo shed was cramped. All in all a big unplanned mess. A far cry from our heritage town planning form the ‘Sindhu Days’ we are so proud to tell the world. My friend milked his buffalo and then offered me a big glass of warm milk, it was nice.

While returning back we hit major traffic jam!! It was wheat harvesting season and tractors were all now coming back to their village. While we were to go back to the fields! The village road was so narrow that two tractors wont pass. And we went back and forth to find any vacant space to reverse into, someone courtyard, someones vacant plot! A mere 10 minute walk from the fields took us about an hour!! When we came out of this hell hole called a village and I took a long deep breath of fresh air. And wondered why on earth, when so much land is available we cant have a planned village? I don’t know…

Now we have spent Rs. 1,700 crore (around $400 million) to built a F1 track… and a stone throw away the villagers don’t have playing fields, no gymnasium, safe drinking water and electricity supply is erratic. In stark contrast private builders are offering RO water swimming pool, spa with flats in the enclosed townships. The villages will be there, trapped amidst these private flats. Most have buffaloes and once there were many watering holes for them to bathe and while away time (buffaloes need to do that) now there aren’t any left. All ponds have been filled up for optimum land use. I have talked to these villagers and they are most comfortable when they can keep buffaloes and can cultivate land. These are the two things they do well. Now when we take these away what will they do? I don’t know..

As I gathered my paints and easel lying in the filed, with the moon shinning above, I remembered another evening…

Noida Fields (with Flowers in foreground) Oil on Canvas 14 x 17 inches 2006  

I was painting the Sun setting beyond the Yamunas, over the Delhi-Faridabad skyline. I had put my easel near to where the farmers were busy tending to their vegetables.

I had finished one and wanted do one more of the setting Sun. And by now the group of farmhands had gatherer behind me to see me paint, having finished their work. We all watched in awe as the mighty red Sun went down and the evening was cast in a red-orange robe… and then darkness slowly fell. I quickly started to gather my paints and brushes. One loses them a lot when the light dims!! With a sigh I said to the small band of people around me…”So the sun has set for the day,”.. But one of them told me to turn around quickly, as I did so I saw the dazzling sight of a moon-rise! Coming out from behind a small dark tree, a large sized ball of white and yellow, same size as the sun, only the sky was dark around it. I realised I had forgotten from years of living away from nature, that as sun sets in the west, the moons rises from the east…

Fields3 /Fields, Noida, UP. India
Oil on Canvas
91.5cm x 122cm
36x48 inches
Nov. 2006

One day I went to the banks of river Yumana to paint. The river now is reduced to a stinking-sewage-like-drain. As I neared the banks a strong stench came from the river. Still determined to paint the famed river, pitched my easel next to it and I got down to paint. Soon I noticed villagers crossing the once mighty river, just walking across! Of course the daunting task now was not how good your skills as a summer against the strong currents! But how not to throw-up midway!! Many of the simple villagers mistook me for some Government engineer making drawings for a new bridge and requested me to do so at the earliest!! Across this lies Haryana. Many of them come from the village across to work in the fields along Yumana. I don’t know how much money is needed to turn Yumana into a river again. But don’t we need to remedy these flaws first and then move onto F1?

you can view my works here..
http://www.artists.de/animeshroy.html
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http://www.flickr.com/photos/animeshroy/
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http://royanimesh.blogspot.com

There is an old saying in India… “an artist can change society..” and like many old sayings it’s not applicable in this twisted world of today!! For an artist, poet, et al to do so, they must come up from cream of the society.. V.S. Naipaul said somewhere, since most of the bright and talented are driven these days to opt for other lucrative career, less and less talented are into writing, paintings…etc. and thus we see a drastic fall in the standard of thinkers, poets, artists, musicians, intellectuals… most are of poor intellectual level and without talent. This trend is more defined in the last 20 odd years. Back in school I remember when we had to choose in Senior Secondary School (Class/Standard 11 & 12) after completion of Secondary School (Class 10) I was the only one among boys to take up Arts (Humanities) rest in my group were all forced, as their grades/marks were too low!! All the “bright ones” en mass joined the other two branches: Science and Commerce… the top graders went to Science the next best took up Commerce.. and the rest, the rejects, the dumps, the stupids.. had no choice but to take up Humanities or leave studies!! In art college, which one could joined only after the completion of 2 year of Senior Secondary(+2) many boys came via a stint or struggle of few years in Science/Engineering/Commerce colleges etc. Only exception were the girls.. they all came straight from school as Indian parents consider painting as the ideal hobby-course for their daughters!! It raises the bar for them, later in ‘arrange marriage market’!! In the case of boys it was a disaster to be in an art college!! A common joke in our art college days:

One mother to another:

“What does your son do?”

“He is painting …artist.”

“OK, but what does he do?”

Painting, sculpture, pottery etc was only for girls as it enhances their charm in the arrange marriage!! I am sure things haven’t changed much since.

An artist can change society etc. only when he has come up the right way.. through his talent and hard work.. an artist who is weak, corrupt, one who is here only for the lure of money can hardly do anything worthwhile.. as a child my father would constantly say: “Only the best should be in fine arts, there is no place for the second best in art… you are either an artist or not at all.. you can not be a ‘bad artist’.. it’s a misnomer!!”

Now, like the other old saying it’s not so, the art world is a crowded place… all and sundry can be artist!! The right connection, the right look, ability to speak English and you can be one!! Your ability to draw or paint is of no consequence!!

 Artist community driven only by the lure of money has created a strange kind of breed. Let me illustrated the point with some real life anecdotes.

One of my aritsts’ friend’s father also an artist, in his younger days had gone to Kathmandu, Nepal for a show with his fellow artists… the show was a dismal failure in terms of turn out and sale, as was the case with most art shows during 60s, 70s. At the end of the show they sat looking at the ‘streatched canvases’ and wondering how would they take it all back etc. Having exhausted all money in putting up the show in a far away land.. Some hanger-ons and passerby suggested “Why don’t you leave it here?”

The group of young artists decided to burn their works in a huge mass fire and came home empty hand…

Now let me give you today’s scenario: one of my buyers from Bombay, who I feel is a bit of a connoisseur tells me this:

“Roy, tell me what’s wrong with you guys?”

“You know I love to browse paintings etc after my office and many a time after office love go to Jehangir art gallery but if it happens to be the last day of a show and closing time… then I had it!! Artists exhibiting would follow me out and beg on bended knees:

“Please sir, please pick up any work.. price no issue.. its our last day etc.!!”

“Please sir, we don’t have money to take them back!!”

As I heard this my face burned with shame and I wanted to disappear..

There is an old-old distant aunt living in Italy… once a contemporary of M.F. Husain, F.N. Souza, Biren De etc. fairly successful artist of 50s, 60s.. then she like many migrated to Europe, and she is very honest about it… “Animesh all these artists who are now big in India, all drove away to the West for money. India in the 50s, 60s, 70s was a tough place for artists with a very bleak future.. One could only at best get a school teacher’s job… so don’t believe all these romantic bullshit about being driven by desire to see Cezanne and to study European art, it is a cover up.. all were looking for a way to be able to sell, survive on their work.. and what better place than the West in those times..” Many got married there and settled down..and many more managed various scholarships to prolong their stay…once there, their artistic stature too raised back home..’Indian artist in Paris’ had charming effects on Indian collectors…

Now this aunt few years back was planning an exhibition in Delhi and asked me to take her around some galleries to catch up the trends and to see gallery space etc. We go into a public gallery with a show going on, she looks at the works hanging on the wall, the artists is present, rushes with his price list. My aunt asks the young man some questions about his works, prices and gives her good wishes and we leave. As we do so, the artists has followed us out and confronts us with:

“Madam how much you want to pay?”

Once my old aunt, in the 60s was exhibiting in Bombay and a very well know starlet had dropped in.. I don’t remember the details, but she threw out the film star on a minor issue:

“Miss, please get out!! This is no film-set of yours..its an art gallery!!” etc.

That was then and this is now.. as I see innumerable snapshots of todays’ artists getting their show “inaugurated” by nondescript actors, TV anchors, models.. I just cringe in shame!! Do we really need them to enhance our work?!

According to an aspiring artist, I meet some time back, we do. I was planning a show in the capital after a 10 year hiatus!! Someone suggested I speak to this young artist, well versed and up-to-date with present day scenario!

Called him up and he replies like a pro:

“Look dude, this is long-term.”

“Yes I agree, ” my reply.

“See I am doing it very methodically…”

“Sure that’s the way to do it.. long रिअज़, लगन,  practise, साधना.. as our Gurus, our उस्तादs would say…” I added my bit.

There was long silence at the other end and then the young upstart says:

“Look I have been going through ‘Page 3’ of all English Dailies and making cuttings.. and now, I know fairly well ‘who’s who of art’ and what to do.. I advise you start your research too.”

He sounded dead serious !!

As I reached my venue to put up my works on the D-day..the artist whose show had just finished, was winding up.. he was in high spirits. He had managed to sell most of his works, wares.. No, he wasn’t from any recognisable art schools.. he had put his show with his equally enterprising wife, a broad spectrum of works, paintings – acrylic on canvas depicting Ganesha (Diwali was right down the corner), and portraits of a grotesque looking man he proudly said, “Buddha is very popular now.. more than Ganeshas!!”, sculptures, pottery and a huge eagle in plaster of Paris!! His show looked like an Indian Government school art room!!

“So who is inaugurating your show?” he asked, as he started to pack the huge plaster eagle…

“No one in particular.. actually no opening ceremony… just some of my friends are coming etc..” I mumbled at him.

“No-no-no-no.. you have to call some celebrity, then you see you get mentioned on Page 3 etc.,”  was his shocked response.

He looked at me as if I was suicidal!!

My show was a quite affair and most disappointed were the gatekeepers of the gallery:

“किया साहब, आप भी… ”

“किसी Mandira Bedi को बुलाते, दीखते कितने काम आपके बिक जाते!!”

(What Sahib, why didn’t you call some starlet? All your paintings would have sold!!”)

He obviously did not mention his chance at ogling at some skimpily clad starlet.

He was right, I didn’t attract much crowd during the show and sold even less!! During the show one of my old gallery owner from a well know gallery came to cheer me up… while with me at the gallery he was busy talking most of the time on his mobile: “Yes, yes, lots of Page 3 people are coming (and he parroted off a list of ‘VIP of Page 3’ from Delhi)….”

He was in the processing of organising an art exhibition, à la India style!!

You can view my works here..

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